Jim Jarmusch, Quentin Tarantino, John Cassavetes, Michel Gondry, Charlie Kaufman, Sofia Coppola are just a few names of established filmmakers who blew up on the indie scene. True artists who focus on the art of filmmaking rather than on the box office.

The Sydney World Film Festival aims to introduce exactly these type of quality, non-mainstream films from global filmmakers as well as local talent. Previous highlights include filmmakers such as Marina Stepanska, Sona Moghaddam, Dimitris Katsimiris, Luca Leoni, Yoav Tal, Asa Eitan, Or Kan Tor, Pia Lauritz, Lemuel Lorca, Juan Sebastián Martínez Mora, Zheng Laizhi, Abbas Sendi, Rosa Von Praunheim, Elvis Lu, Latifa Said, Lourdes Sandoval, Vladimir Beldian, Sugandha Garg, Tamara Vittoz, Lucia Lalor, André Marques, Cristina Lladosa, Joaquín Vallet, Levente Kölcsey, Christian Calon, Darko Vukić, Vojtěch Domlátil, Magda Fernandez, and more!

Sydney World Film Festival takes pride in its astute selection process. It is known for discovering hidden gems that later go on to thrive successfully at A-list festivals, with some films even catching the eye of the Academy Awards. In 2021 for example, the festival selected and awarded 'Ala Kachuu – Take and Run', directed by Maria Brendle, which was nominated in 2022 for an Oscar in the Best Live Action Short Film category.

Inspired by the grand screening rooms of the past and born of today’s interconnected world, the Sydney World Film Festival has succeeded in finding its unique voice within the already bustling film festival scene in Australia's largest city. It attracts young independent filmmakers not only for its selection of films, but also for the informal drinks held after each screening, providing a perfect networking opportunity.

The festival discovers, supports and develops new talent in filmmaking, providing a platform for emerging and established filmmakers from around the world. Recognising the important role independent films have in the history of filmmaking, storytelling, and culture, SWFF wants to help empower the next generation of artists. The Sydney World Film Festival is an annual event showcasing independent films with an edge.

‘OFF ON’ SELECTION
Next to our physical screenings we’ll also be screening online with the special OFF ON SELECTION. The OFF ON Selection will go online one week prior to the opening of the physical part of the festival and will stay online until the last day of the festival. Viewers will be able to watch, but not download your film. If needed we can geo-block your film to our region.
We’re open to any genre (narrative, web series, made for tv, documentary, experimental …) and especially any duration (which is always an issue for the physical part of the festival). Selected filmmakers will receive all official selection perks (The Tarkovski Grant, The Producer’s Night nomination, …) and are in the running for any of the award titles. When you submit your film for consideration to both a physical section and the Off On Selection it is possible to be selected for both, but this is of course not guaranteed. Filmmakers that submit their film only to any of the other sections (so any other than the Off On Selection) will not be selected for an online screening.

Sydney World Film Festival is
- An IMDB qualifying film festival
- Named as one of the Top 50 Emerging Film Festivals worldwide by iFilmFestival.com.
- A 'Climate Neutral Film Event', powered by TreePlan.org.
- An official festival partner of The Producer's Night Los Angeles (producersnight.com).

PROUD PARTNER OF THE BIGGER SCREEN
Sydney World Film Festival is supported by The Bigger Screen, an organization that aims to make film as an art form more accessible and more inclusive. A short overview of their projects:

- SUPPORTING FILM FESTIVALS: Film festivals are not only a place to share films, but they are a safe haven for film makers to connect, share, and learn. The Bigger Screens supports and engages with over 25 respected international film festivals from mainstays like the 61st Ann Arbor Film Festival and the Brussels Independent Film Festival to emerging events such as the Venice Film Week and The Producer’s Night Los Angeles. These events bring filmmakers and filmgoers together, providing that place to connect and engage in a comfortable setting, away from Hollywood glitz and glamour.

- CONNECTING CULTURES PROGRAM: Each year, The Bigger Screen selects at least ten countries and grants filmmakers from those areas the ability to submit their work free of charge to partner festivals all over the world. This opens the door of film exposure to those who may not otherwise be able to enter. As we support inclusivity and shareable films, this program exemplifies our mission. Check out https://www.connectingculturesprogram.com to see if your country is included in this year’s program and submit your work for free.

- LOCAL FILMMAKERS PROGRAM: To encourage rising talent, we lowered the festival submission fee to local talent and even made it for free when submitted before the Extreme Early Bird Deadline. This provides a great opportunity for local filmmakers to enter the international film scene. Think global, act local, right?

- INCLUSIVE AUDIENCE PROGRAM: Our screenings are always low or even free of charge to provide opportunity for interested film goers to view up and coming, challenging, and inspiring pieces of art, encouraging students, seniors, and those in underprivileged environments to share the experience of film and cinema. We welcome film goers, regardless of income and financial status.

- THE TARKOVSKI GRANT: All selected filmmakers will receive The Tarkovski Grant, a film festival submission fee waiver package with an average value of about $500. This not only saves you a lot of money, but it also recognizes your work as something to watch for during the selection procedure, making a selection with another partner film festival more likely - but of course, never guaranteed. The Tarkovski Grant supports hundreds of filmmakers each year in their challenging journeys as independent filmmakers, by promoting existing films, no matter the genre, style or length.

Each edition, the festival will also give out awards in the following categories:
Best Narrative Feature Film
Best Documentary Feature Film
Best Narrative Short Film
Best Documentary Short Film
Best Experimental Film
Best Animated Film
Best Music Video
Best Australian Film

THE TARKOVSKI GRANT
All selected filmmakers will receive The Tarkovski Grant, a film festival submission fee waiver package with an average value of about $500. This not only saves you a lot of money, but it also recognizes your work as something to watch for during the selection procedure, making a selection with another partner film festival more likely - but of course, never guaranteed. The Tarkovski Grant supports hundreds of filmmakers each year in their challenging journeys as independent filmmakers, by promoting existing films, no matter the genre, style or length. The Tarkovski Grant is supported by film festivals from all over the world. Find out more here: www.thetarkovskigrant.org.

THE PRODUCER'S NIGHT NOMINATION
All selected films are also automatically in the running for the Producer's Night. Producer's Night is an opportunity for independent filmmakers to have their work screened to a private group of elite Hollywood producers. For many directors, it could mean their ticket to the mainstream. The exclusive screening will show the best of independent cinema from the past year's film festivals at the Lee Strasberg Theatre and Film Institute in West Hollywood. More information: www.producersnight.com.

FREE SUBSCRIPTION TO VIDEOMAKER
In an added effort to support new and emerging filmmakers, our festival will offer a free year of access to Videomaker's digital magazine to all filmmakers submitting their work. More information: www.videomaker.com.

FREE SUBSCRIPTION TO WHUSH.COM
All selected filmmakers will receive a free subscription to Whush.com for 3 months. Whush.com is a streaming service that has teamed up with over 20 film festivals worldwide, exclusively streaming official selections during the festival period. More information: www.whush.com.

EXPOSURE
All selected filmmaker will be invited for an exclusive one-on-one interview on www.iFilmFestival.com. The interview will appear on www.iFilmFestival.com, and will be shared on the festival's Facebook page.

SUBMISSIONS
The Sydney World Film Festival accept all forms and genres. All non-English language films must be subtitled in English. Entry does not guarantee acceptance into the festival. Submissions WILL NOT be returned. We also accept submissions that have premiered elsewhere and that may have distribution agreements already in place. However, TV, theatrical, online video, other festival, or other distribution outlets that run concurrently or in the same month of the festival may not be eligible for screening. Rough cuts and incomplete projects are not accepted. Multiple entries are allowed, however a separate entry form must be submitted for each.

EXHIBITION & SCREENING
Screenings are scheduled during the Festival at the discretion of the Sydney World Film Festival. Whilst every effort will be made to adhere to the published schedule, Sydney World Film Festival reserves the right to make changes at any time for any reason. Sydney World Film Festival will not be liable for any costs claimed as a result of a change in scheduling. No film may be withdrawn from the festival program after its selection. If chosen as an official selection, Sydney World Film Festival is granted the permission to exhibit the film at the Sydney World Film Festival and all associated screenings. Location and timing of any screenings of the film shall be the sole decision of the organizers of the Sydney World Film Festival. Filmmakers will be solely responsible for all costs resulting from the submission of the film to the Festival including but not limited to postage or insurance of the film, and expenses of your staff or any representatives of the film. Producer will indemnify the organizers of the Festival against all claims, demands, costs, damages, expenses (including legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties.

LOSS OR DAMAGE
Although every precaution will be taken to prevent loss or damage to materials while in the possession of the festival, The Sydney World Film Festival is not responsible should any materials be damaged while in transit to or from, or while in the possession of the festival.

ENTRY LIABILITY
The filmmaker holds the Sydney World Film Festival, its management, juries, subsidiaries, agents, sponsors, affiliates, and etc. harmless from any and all claims of liability resulting from entry. The filmmaker certifies to have full rights. Producer will indemnify the organizers of the Festival against all claims, demands, costs, damages, expenses (including legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties.

SCREENING FEE
The festival does not offer screening fees for its films. By submitting through FilmFreeway you are agreeing to NOT request a screening fee as a requirement for your film's participation in the festival, should your film get selected for the program.

WAIVER REQUESTS
Since the festival only requires a nominal entry fee and grants free submissions to local filmmakers and filmmakers who're eligible for the The Connecting Cultures Program (https://www.connectingculturesprogram.com) , we will NOT accept requests for other entry fee waivers.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • Maciej Pisarek

    "Ute" coming to the roots... Thank you Sydney, love you Australia

    June 2023
  • Susanne Walström

    A welcoming and positive festival we love to have been a part of. Unfortunately we couldn’t attend in person (it’s a little bit too long travel from Sweden :) but we were super happy to be selected, and even more happy that our film Disused was awarded Best Narrative Short Film.

    June 2023
  • Amina Maher

    Amazing festival with a dedicated programing to art and culture.

    I am happy and honored to be part of you.

    May 2022
  • A great festival and I am honored to be a part of it! Unfortunately, I could not come to Sydney this year. As a visual artist, I am surprised that my experimental film "Rebirth" is also appreciated at festivals like Sydney World Film Festival.

    May 2022
  • Filmes do Gajo

    We were unable to attend this festival, but the program seems amazing every year. Having our film programmed among such a wild and inspiring mixture of films was already incredible, imagine how happy we felt to know our film "Poise" won best animation award.

    May 2022